For readers who have encountered poverty, or unexpectedly risen out of it to know security, Eula Biss’ self-analytical perspective, of being both inside and outside the rewards of a system, is terrifyingly accurate. For those unaware of the experience of income inequality, this work presents a study of – and argument for – self-awareness of affluence. For the creative class, her confrontation of the fiscal rhythms of an artist’s time and service offers rare, candid insight. 
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