“. . . art is not separate to life.”
For good reason, everyone is talking about Archie Moore at Venice. Presenting Australia at the 60th La Biennale di Venezia, the Kamilaroi/Bigambul artist is the first Australian to win the Golden Lion – the top award. Until November, his exhibition kith and kin makes sovereign Indigenous voices heard on the global stage with a focus on the resilient interconnection between people, place and time.
Let's stay in touch (intellectually).
selection of articles, interviews, blogs et al.
For years, Vipoo Srivilasa has created blue and white ceramics, only to veer away from the palette during lockdown. Now, for an exhibition at Bunjil Place Gallery titled Generation Clay: Reimagining Asian Heritage, he embraces the aesthetic once again, with other artists in tow.
Reflecting on Art Basel Paris and Paris Art Week (16th–20th October), I’ve been returning to the idea of set and setting. It’s a term used for psychedelic drug use – set being one’s mindset and setting being the physical environment – but fitting for perceiving art, too. If set and setting are off, the experience can be jarring; if right, it’s conducive to an enriching encounter.
For some reason, Art-o-Rama – an art fair in the southern French city of Marseille – has three Google reviews, including a one-star labelling it for “pseudo fashion intellectuals” and those “armed with easy money”.