Writing
October 30, 2024

For years, Vipoo Srivilasa has created blue and white ceramics, only to veer away from the palette during lockdown. Now, for an exhibition at Bunjil Place Gallery titled Generation Clay: Reimagining Asian Heritage, he embraces the aesthetic once again, with other artists in tow.

October 30, 2024

Reflecting on Art Basel Paris and Paris Art Week (16th–20th October), I’ve been returning to the idea of set and setting. It’s a term used for psychedelic drug use – set being one’s mindset and setting being the physical environment – but fitting for perceiving art, too. If set and setting are off, the experience can be jarring; if right, it’s conducive to an enriching encounter.

October 30, 2024

For some reason, Art-o-Rama – an art fair in the southern French city of Marseille – has three Google reviews, including a one-star labelling it for “pseudo fashion intellectuals” and those “armed with easy money”.

October 30, 2024

A recent trip down to Marseille to lap up the last few days of summer.

October 30, 2024

The waterside street library where books and community go hand-in-hand – the Thames Street library . While Balmain Library is closed for renovations this winter, where do you go for a book fix?

October 30, 2024

. . . The Music Careers Expo, organised by youth music nonprofit The Push, is back this August to once again demystify pathways into the South Australian music sector.

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