Editorial
    February 21, 2020

    Your name Your email Subject Your message (optional) Exhibition essay for FortyFiveDownstairs + Arts Aviso’s 1.5 Degrees. Originally published here….

    October 5, 2019

    Your name Your email Subject Your message (optional) Tackling audio for the first time, I interviewed artist Ezz Monem (born Mohamed…

    October 1, 2019

    Your name Your email Subject Your message (optional) The past is what happened, history is what is remembered. Recognising this…

    May 30, 2019

    Your name Your email Subject Your message (optional) ‘Reflex’, the second iteration of An Exhibition in Four Acts, amplifies and…

    February 12, 2019

    For Rirkrit Tiravanija, meals are a default to prompt strangers to feel a familiarity with each other- the resulting relationship between public engagement and food his popularised oeuvre. As his meals grant visitors to reach the work’s conclusion, however, the artist merely instigates his idea before ceasing control and leaving outcomes open. After he creates a platform – like a meal within a gallery in Untitled (lunch box) – he leaves it be within its context, entrusting participants to condition the work’s conclusion. This assumes the gallery is passive – but the NGV is not a dead space waiting to be activated.

    February 12, 2019

    Your name Your email Subject Your message (optional) For Cambodian-American artist Anida Yoeu Ali, the loss of her artwork The Red Chador was profoundly…

    1 2 3