Editorial
February 21, 2020

Exhibition essay for FortyFiveDownstairs + Arts Aviso’s 1.5 Degrees. Originally published here. Visiting my hometown over the Christmas break, a…

October 5, 2019

Tackling audio for the first time, I interviewed artist Ezz Monem (born Mohamed Ezzeldin M. Abdelmonem; October 23, 1985) about his…

October 1, 2019

The past is what happened, history is what is remembered. Recognising this dichotomy, John Young Zerunge reconstructs dominant historical narratives…

May 30, 2019

‘Reflex’, the second iteration of An Exhibition in Four Acts, amplifies and subverts problems and restraints ever-present within the processes…

February 12, 2019

For Rirkrit Tiravanija, meals are a default to prompt strangers to feel a familiarity with each other- the resulting relationship between public engagement and food his popularised oeuvre. As his meals grant visitors to reach the work’s conclusion, however, the artist merely instigates his idea before ceasing control and leaving outcomes open. After he creates a platform – like a meal within a gallery in Untitled (lunch box) – he leaves it be within its context, entrusting participants to condition the work’s conclusion. This assumes the gallery is passive – but the NGV is not a dead space waiting to be activated.

February 12, 2019

For Cambodian-American artist Anida Yoeu Ali, the loss of her artwork The Red Chador was profoundly traumatic. In this conversation, Ali  reflects on her…

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