Helena Sinclair’s work exists at the edge of a boundary – or playfully sits either side. Seeing it, take note of your first feeling or instinct. Is the platter bristling with hairsoothing with its delicate beauty, or discomforting with a grossness that’s not quite gross? Does your reaction sit between the two, not at neutrality but an in-betweenness that depositions your body? Does its silly name undo you further?
Exhibition essay for FortyFiveDownstairs + Arts Aviso’s 1.5 Degrees. Originally published here. Visiting my hometown over the Christmas break, a…
I get it, you Moved to Melbourne is an Adelaide Fringe 2020 exhibition scrutinising Adelaide’s brain drain. Presenting an idiosyncratic assemblage of visual…
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