Let Men Tremble is a provocative work which shakes the patriarchy until its weak at the knees. The production is led…
Review: Four Dogs and a Bone, Q44 Theatre (VIC) Xanthe Gunner in Four Dogs and a Bone. Image: Gabriella Rose-Carter….
‘Reflex’, the second iteration of An Exhibition in Four Acts, amplifies and subverts problems and restraints ever-present within the processes…
The world premiere of Ron Elisha’s Unsolicited Male brings the #metoo movement to the workplace
For Rirkrit Tiravanija, meals are a default to prompt strangers to feel a familiarity with each other- the resulting relationship between public engagement and food his popularised oeuvre. As his meals grant visitors to reach the work’s conclusion, however, the artist merely instigates his idea before ceasing control and leaving outcomes open. After he creates a platform – like a meal within a gallery in Untitled (lunch box) – he leaves it be within its context, entrusting participants to condition the work’s conclusion. This assumes the gallery is passive – but the NGV is not a dead space waiting to be activated.
Review: Australia’s Lost Impressionist – John Russell Les Aiguilles, Belle Ile (detail) (1910). Watercolour: pencil, watercolour, gouache, scraping out on…