Reviews
March 12, 2019

The world premiere of Ron Elisha’s Unsolicited Male brings the #metoo movement to the workplace

February 12, 2019

For Rirkrit Tiravanija, meals are a default to prompt strangers to feel a familiarity with each other- the resulting relationship between public engagement and food his popularised oeuvre. As his meals grant visitors to reach the work’s conclusion, however, the artist merely instigates his idea before ceasing control and leaving outcomes open. After he creates a platform – like a meal within a gallery in Untitled (lunch box) – he leaves it be within its context, entrusting participants to condition the work’s conclusion. This assumes the gallery is passive – but the NGV is not a dead space waiting to be activated.

February 12, 2019

Review: Australia’s Lost Impressionist – John Russell Les Aiguilles, Belle Ile (detail) (1910). Watercolour: pencil, watercolour, gouache, scraping out on…

February 12, 2019

Review: The Miss Behave Gameshow, Midsumma Festival The Miss Behave Gameshow. Headed by London’s Queen of Cabaret and Guinness World…

February 12, 2019

Review: Become the One at Gasworks, Midsumma Festival Become the One is a story we have never seen or even…

December 21, 2018

Through an extravagant pose plastered on a billboard, Thai-Australian artist Kawita Vatanajyankur asks viewers to consider the human labour expended within their consumption habits.

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