Brussels-based journalist Sarah Schug discusses the challenges of language in the art world, the need for accessibility, the diminishing value of art writing and her proud accomplishment—a self-published book on Iceland’s contemporary art scene.

Writer and editor Erin McFayden reflects on framing artistic activities as labour and advocating exploring the good it creates rather than its economic value – as well as her reccs for some artistic endeavours.

Writer Yazmin Bradley touches on the pressure on authors under the commercialisation of Bookstagram – how can we reclaim the creative process from capitalism? She also explores working with her grandmother on her memoir and the possibilities of Substack for creativity.

Writer Suzanne Claridge talks about ephemeral approaches to working with language and their belief that good arts writing should not lose sight of its purpose: the reader and experiencing art.

Plurality is borne in Kollektiv Collective Pia Zeitzen and Sasha Shevchenko’s shows and texts via losses in translation. Here’s their thoughts on writing within (and outside) the constraints of language dualities.

Sammi Gale’s thoughts on collective action among writers, artists, and creatives, and the essentials of empathy and meaningful encounters within creative endeavours.