{"id":3564,"date":"2022-01-19T11:43:49","date_gmt":"2022-01-19T11:43:49","guid":{"rendered":"http:\/\/tahneyalexandramay.com\/?p=3564"},"modified":"2022-11-29T06:24:34","modified_gmt":"2022-11-29T06:24:34","slug":"whitenoise","status":"publish","type":"post","link":"https:\/\/tahneyalexandramay.com\/index.php\/2022\/01\/19\/whitenoise\/","title":{"rendered":"Artshub | Whitenoise: 12 ghosts (Theatre Works)"},"content":{"rendered":"
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Kathleen Mary Fallon\u2019s solemn delivery carried a compassion for her \u2018true characters,\u2019 although her omnipresence sacrificed some dynamic range.\u00a0<\/p>

On stage between acts, Fallon changed into the costuming of her next subject. Such personal transience between actor and character showed an ability to morph as a vessel for their stories while also emphasising, perhaps detrimentally, her singular perspective as both the play\u2019s writer and only performer.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tRead on Artshub<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tRead Tahney's writing<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Theatre review: Whitenoise: 12 ghosts, Theatreworks<\/a> by\u00a0Tahney Fosdike<\/a> originally published in Artshub<\/a> (Jan 2022).\u00a0<\/strong><\/em><\/h6><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><\/div><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Promising to delve into \u2018the death chamber of White Australia\u2019s memory banks,\u2019 Whitenoise: 12 ghosts, with its hazy approach, struggled to move its vision into something ready for audience digestion. <\/p>\n","protected":false},"author":1,"featured_media":3565,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_vp_format_video_url":"","_vp_image_focal_point":[],"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[359,14,10],"tags":[473,476,474,475,469,470,471,467,315,477,468],"class_list":["post-3564","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-writing","category-reviews","category-theatre","tag-9-11","tag-anti-government","tag-anti-media","tag-anti-war","tag-kathleen-mary-fallon","tag-lindy-chamberlain","tag-mamdouh-habib","tag-theatre-review","tag-theatre-works","tag-theatre-works-explosives-factory","tag-whitenoise-12-ghosts"],"acf":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/tahneyalexandramay.com\/wp-content\/uploads\/2022\/01\/whitenoise.png?fit=1920%2C1080&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9Pso7-Vu","jetpack_likes_enabled":false,"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/posts\/3564","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/comments?post=3564"}],"version-history":[{"count":16,"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/posts\/3564\/revisions"}],"predecessor-version":[{"id":5567,"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/posts\/3564\/revisions\/5567"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/media\/3565"}],"wp:attachment":[{"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/media?parent=3564"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/categories?post=3564"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/tags?post=3564"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}