{"id":3838,"date":"2022-02-23T06:31:59","date_gmt":"2022-02-23T06:31:59","guid":{"rendered":"http:\/\/tahneyalexandramay.com\/?p=3838"},"modified":"2022-11-29T06:01:03","modified_gmt":"2022-11-29T06:01:03","slug":"rebecca-belmore-turbulent-water","status":"publish","type":"post","link":"https:\/\/tahneyalexandramay.com\/index.php\/2022\/02\/23\/rebecca-belmore-turbulent-water\/","title":{"rendered":"Arts Review Australia | Rebecca Belmore’s Turbulent Water at Buxton Contemporary"},"content":{"rendered":"
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Rebecca Belmore\u2019s corpulent force carries\u00a0Turbulent Water<\/em>, Australia\u2019s first solo of the celebrated Lac Seul First Nation (Anishinaabe) artist. Showing at Buxton Contemporary until May, the exhibition broadly positions Belmore\u2019s works: video projections with performance and sculptural elements which nurture Indigenous peoples\u2019 cultural bonds and abrasions.<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tRead on Arts Review Australia<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tRead Tahney's writing<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Exhibition review: Rebecca Belmore Turbulent Water<\/em><\/a> by Tahney Fosdike originally published in Australian Arts Review <\/a>(February 2022). <\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Rebecca Belmore\u2019s corpulent force carries Turbulent Water, Australia\u2019s first solo of the celebrated Lac Seul First Nation (Anishinaabe) artist. Showing at Buxton Contemporary until May, the exhibition broadly positions Belmore\u2019s works: video projections with performance and sculptural elements which nurture Indigenous peoples\u2019 cultural bonds and abrasions.<\/p>\n","protected":false},"author":1,"featured_media":3839,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_vp_format_video_url":"","_vp_image_focal_point":[],"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[359,11,14],"tags":[16,485,41,486,487,15,19,484],"class_list":["post-3838","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-writing","category-exhibition","category-reviews","tag-art","tag-buxton-contemporary","tag-contemporary-art","tag-first-nations-art","tag-lac-seul-first-nation","tag-melbourne","tag-melbourne-art","tag-rebecca-belmore"],"acf":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/tahneyalexandramay.com\/wp-content\/uploads\/2022\/02\/21-12_Buxton_Belmore-9.jpg?fit=2500%2C1492&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9Pso7-ZU","jetpack_likes_enabled":false,"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/posts\/3838","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/comments?post=3838"}],"version-history":[{"count":17,"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/posts\/3838\/revisions"}],"predecessor-version":[{"id":5528,"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/posts\/3838\/revisions\/5528"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/media\/3839"}],"wp:attachment":[{"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/media?parent=3838"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/categories?post=3838"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/tags?post=3838"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}