{"id":4114,"date":"2022-06-14T01:32:28","date_gmt":"2022-06-14T01:32:28","guid":{"rendered":"http:\/\/tahneyalexandramay.com\/?p=4114"},"modified":"2022-11-29T06:14:00","modified_gmt":"2022-11-29T06:14:00","slug":"new-australian-printmaking","status":"publish","type":"post","link":"https:\/\/tahneyalexandramay.com\/index.php\/2022\/06\/14\/new-australian-printmaking\/","title":{"rendered":"Artshub | New Australian Printmaking, NGV Australia"},"content":{"rendered":"
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Image (above) | Patricia Piccinini ‘The Weavers\u2019 Suite (pink yellow)’ 2018, etching and colour lithograph, ed. 1\/25, 36.5 x 42.9 cm.\u00a0<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Exhibition review: New Australian Printmaking, NGV Australia<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Quietly tucked away on level three of NGV Australia, 68 prints sparsely lining the walls comprise\u00a0New Australian Printmaking<\/em>.<\/p>

More tame than ground-breaking, New Australian Printmaking\u00a0<\/em>has a present \u2013 although introverted \u2013 mindset. Grand notions aside, it subtly composes an evergreen appreciation of an ancient medium \u2013 future-proofing printmaking through the process, collaboration, and experimentation of producing something new.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tRead full review on Artshub<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tRead Tahney's writing<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Exhibition review: NGV Australia’s New Australian Printmaking <\/em><\/a>by Tahney Fosdike originally published in\u00a0Artshub<\/a> (June 2022).\u00a0<\/b><\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Installation view of\nNew Australian\nPrintmaking\non display from 1\n3\nMay\n2022\n\u2013\n1\n1 September\n202\n2\nat the Ian\nPotter Centre: NGV Australia\n,\nMelbourne Photo:\nSean Fennessy<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

More tame than ground-breaking, New Australian Printmaking has a present \u2013 although introverted \u2013 mindset. Grand notions aside, it subtly composes an evergreen appreciation of an ancient medium \u2013 future-proofing printmaking through the process, collaboration, and experimentation of producing something new.<\/p>\n","protected":false},"author":1,"featured_media":4120,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_vp_format_video_url":"","_vp_image_focal_point":[],"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[359,11,14],"tags":[],"class_list":["post-4114","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-writing","category-exhibition","category-reviews"],"acf":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/tahneyalexandramay.com\/wp-content\/uploads\/2022\/06\/opEe9alM-scaled.jpeg?fit=2560%2C1923&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9Pso7-14m","jetpack_likes_enabled":false,"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/posts\/4114","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/comments?post=4114"}],"version-history":[{"count":33,"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/posts\/4114\/revisions"}],"predecessor-version":[{"id":5537,"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/posts\/4114\/revisions\/5537"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/media\/4120"}],"wp:attachment":[{"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/media?parent=4114"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/categories?post=4114"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/tags?post=4114"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}