{"id":4145,"date":"2022-06-21T23:55:08","date_gmt":"2022-06-21T23:55:08","guid":{"rendered":"http:\/\/tahneyalexandramay.com\/?p=4145"},"modified":"2022-11-29T06:48:09","modified_gmt":"2022-11-29T06:48:09","slug":"new-gold-mountain","status":"publish","type":"post","link":"https:\/\/tahneyalexandramay.com\/index.php\/2022\/06\/21\/new-gold-mountain\/","title":{"rendered":"Metro Magazine | Mythmaking and Identity in New Gold Mountain"},"content":{"rendered":"
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Mining the Past: Mythmaking and Identity in New Gold Mountain<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Set in the Victorian goldfields of the 1850s,\u00a0New Gold Mountain<\/em> breaks new ground in its dramatic rendition of the power dynamics, racism and violence of this time and place, as seen from the perspective of Chinese migrant miners. Considering the SBS series in the context of the western genre it seeks to emulate and the Australian history it attempts to do justice to, Tahney Fosdike finds the show more willing to confront some myths than others.<\/p><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tRead words in Metro Magazine Issue No. 212 <\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tRead more of Tahney's writing<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Television essay: Mining the Past: Identity and Mythmaking in New Gold Mountain <\/em><\/a>by Tahney Fosdike originally published in Metro Magazine (Issue No. 212, June 2022). <\/a><\/b><\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Set in the Victorian goldfields of the 1850s, New Gold Mountain breaks new ground in its dramatic rendition of the power dynamics, racism and violence of this time and place, as seen from the perspective of Chinese migrant miners. Considering the SBS series in the context of the western genre it seeks to emulate and the Australian history it attempts to do justice to, Tahney Fosdike finds the show more willing to confront some myths than others.<\/p>\n","protected":false},"author":1,"featured_media":4146,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_vp_format_video_url":"","_vp_image_focal_point":[],"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[529,377,327,14,359],"tags":[],"class_list":["post-4145","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-featured-writing","category-editorial","category-film-tv","category-reviews","category-writing"],"acf":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/tahneyalexandramay.com\/wp-content\/uploads\/2022\/06\/NGM_Ep1_Sc44_SD15_2398_Shing-Yoson-An-and-Gok-Chris-Masters-Mah-in-Chinese-Camp%C2%A9Goalpost_Television-2000x1334-1.jpg?fit=2000%2C1334&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9Pso7-14R","jetpack_likes_enabled":false,"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/posts\/4145","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/comments?post=4145"}],"version-history":[{"count":12,"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/posts\/4145\/revisions"}],"predecessor-version":[{"id":5342,"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/posts\/4145\/revisions\/5342"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/media\/4146"}],"wp:attachment":[{"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/media?parent=4145"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/categories?post=4145"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/tags?post=4145"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}