{"id":7594,"date":"2023-09-25T07:33:24","date_gmt":"2023-09-25T07:33:24","guid":{"rendered":"http:\/\/tahneyalexandramay.com\/?p=7594"},"modified":"2024-03-18T15:33:23","modified_gmt":"2024-03-18T13:33:23","slug":"kollektiv-collective-2","status":"publish","type":"post","link":"https:\/\/tahneyalexandramay.com\/index.php\/2023\/09\/25\/kollektiv-collective-2\/","title":{"rendered":"Sticky Teeth | Micro\u2013interview with Kollektiv Collective"},"content":{"rendered":"
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However, from constraints come their own beauties, accidental mistranslations that shed light on existing linguistic structures and their biases, or that lead us to a place unknown.\u00a0<\/span><\/p>\n

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\u00a0–\u00a0<\/i><\/span><\/span>Kollektiv Collective<\/i>\n<\/span><\/p>\n<\/blockquote>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Sticky Teeth’s micro-interviews have less to chew off.\u00a0\u00a0<\/i><\/b><\/span>Ft. words from creative professionals at the intersection of the arts and writing.\u00a0<\/span><\/p>\n

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Plurality is borne in <\/span>Kollektiv Collective\u00a0<\/span>Pia Zeitzen and Sasha Shevchenko<\/span>‘s shows and texts via losses in translation<\/span>. <\/span>Here’s their thoughts on writing\u00a0<\/span>within (and outside) the constraints of language.\u00a0 \u00a0<\/span><\/p>\n\n

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Kollektiv Collective was founded by Pia Zeitzen and Sasha Shevchenko in 2019.<\/h2>
Their collective works with and in support of emerging artists and focuses on exploring site-specificity and performativity as curatorial tools for transcribing the abstract into the visual. Thematically, Kollektiv’s exhibitions are dedicated to investigating socio-political themes at large by dissecting thoughts and feelings that forge the image of our present time. Critically investigating contemporary thought, Kollektiv often reverts to a dissection of binaries in an attempt to promote multiplicity, complexity and the merit of leaning into uncertainty.<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Tahney: <\/i>For you, what’s an issue with art\/writing?\u00a0<\/span>How do you approach it?\u00a0<\/b><\/h3>\n
\u00a0Kollektiv Collective<\/i>:\u00a0<\/i>Perhaps not so much in the arts alone, but in a more general sense, the language problem stands to be limits and losses in translations (play soundtrack by Air here<\/a> \ud83d\ude42).\u00a0<\/span><\/div>\n
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\n\nAs both non-native English speakers, our relationship with language and the role it plays in our practice is quite intimate in the sense of conscious awareness of one\u2019s constraints.\u00a0<\/span>However, from constraints come their own beauties<\/b>, accidental mistranslations that shed light on existing linguistic structures and their biases, or that lead us to a place unknown.\u00a0<\/span>\n\nIt\u2019s a bit like Haruki Murakami\u2019s writing, perhaps \u2013 he wrote the opening sentences of his first novel in English and then translated it to his native Japanese \u201cjust to hear how they sounded\u201d. <\/a>It\u2019s this reversal and co-existence of meaning in the plurality of words, but maybe that\u2019s just an illusion, and the totality of meaning slips away. Curatorially, this is what\u2019s interesting for us, and that\u2019s the \u201coriginal\u201d problem \u2013 what lies in the gaps created by the inevitable failures of language(s).\u00a0\u00a0<\/span>\n\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Given your relationship with text, who are some practitioners you like?<\/b><\/h4>\nThat\u2019s a hard question because we don\u2019t quite separate art\/writing\/art writing.<\/strong> Our minds and practices are influenced by different people who do different things with language. We love St\u00e9phane Mallarm\u00e9<\/a> for endless rolling of dice; Luce Irigaray<\/a> for space; George Perec <\/a>for showing us that a novel can be a building, a chess game and beyond; Leonora Carrington <\/a>for imagination; Edouard Glissant for everything; Derrida and Deleuze+Guattari for our formative years; Angela Carter for also everything; the list is endless.\n
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Some words from them?<\/b><\/h3>\n

There\u2019s this quote that has been stuck, somewhat out of context, in our heads all summer.<\/p>\n

It\u2019s from a collection of essays by the Garage Museum of Contemporary Art (Moscow), not translated into English. This particular essay, written by poet and critic Igor Gulin, is on Tarkovsky and the last years of his life spent in exile in Europe.<\/p>\n

Here is a humble attempt to convey the meaning, coupled with enjoyment at knowing that something in there will definitely be lost:\u00a0 \u201c\u2026only nostalgia is left \u2013 not the longing for home, but a mellow anticipation of death, an oblivion inhabited by cardboard figurines of the loved ones in which one can escape to from the life that never happened.\u201d<\/b><\/p>\n\n

What have you been up to lately? Any highlights?<\/b><\/h4>\n
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Our shows are born out of our texts, and our texts are born out of our shows.<\/b> We expanded quite a bit in our recent interview with\u00a0<\/a><\/span>WTF?<\/a><\/span><\/span>\u00a0on the role of writing in our practice, the name we go by, \u201csuperpowers\u201d of being foreigners.<\/strong> <\/span><\/p>\n

We were quite happy with the\u00a0<\/span>text<\/a>\u00a0we wrote for our recent show \u2018on the flip side was\u2019. It was about the feeling of having landed on the wrong side of the coin, and we think we found an amusing way to express that through (mis)use of idioms and visual language that are traced through the works in the show.\u00a0<\/span>\u00a0<\/span><\/p>\n

For us, thoughts and feelings find clarity through writing and words, and sometimes, the point is in doing it wrong.\u00a0<\/b><\/span><\/p>\n\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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More of Kollektiv Collective <\/a>here.<\/a><\/b><\/h4>\n

Interview by Tahney Fosdike<\/a>. <\/b><\/h3>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\tHey! My name is Tahney. I design words that fill the space between you, your creative project, and your audience.\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\n\t\t\t\t\t\tGet in touch \t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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For more on arts writing: <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\tAugust 21, 2024<\/span>\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tSticky Teeth | Micro\u2013interview with David Willis<\/a>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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David Willis: “It is my personal mission as an art writer to strike a balance between critical rigour and concise readability.” <\/p>\n\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n

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\n\t\t\t\tJune 30, 2024<\/span>\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tSticky Teeth | Micro\u2013interview with Carmela Vienna<\/a>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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Carmela Vienna talks about the overreliance on AI in arts marketing and social media, and the need for more inspired, well-edited content, as well as treating arts marketing more seriously within arts orgs in general. <\/p>\n\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n

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\n\t\t\t\tMay 28, 2024<\/span>\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tReview: Is the 2024 Venice Biennale too overwhelming?<\/a>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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Too, with the Venice Biennale as a whole, in this unearthliness, the curatorial was a blur of impact and thought. I wasn\u2019t sure if it was possible to achieve anything cohesive. I\u2019m still not sure if it\u2019s possible to look at, en masse like this, the variety of mediums, ideas, and cultural contexts and get it and not just be overwhelmed, weary, and clueless.<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n

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\n\t\t\t\tApril 25, 2024<\/span>\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tSticky Teeth | Micro\u2013interview with Haneen Mahmood Martin<\/a>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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Haneen Mahmood Martin talks about shared accountability and diverse perspectives in the arts industry, matching words with actions\u2014i.e., more POC in leadership positions\u2014and the use of clear, accessible, but impactful language. <\/p>\n\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n

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\n\t\t\t\tMarch 18, 2024<\/span>\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tSticky Teeth | Micro\u2013interview with Liv Collins<\/a>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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Liv Collins has an infectious energy rare in an industry of pretension. I’m really excited to feature her in this sticky teeth micro-interview for her truths about writing education at art school and some hot insider arts reading suggestions. <\/p>\n\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n

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\n\t\t\t\tFebruary 20, 2024<\/span>\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tSticky Teeth | Micro\u2013interview with Anna Kate Blair<\/a>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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Anna Kate Blair speaks on the intersection of art, writing, and time. She explains her major concerns for lack of enough resources for the writing process itself, and also touches on history, capitalism and imagining alternative futures for creativity. <\/p>\n\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n

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\n\t\t\t\tJanuary 22, 2024<\/span>\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tSticky Teeth | Micro\u2013interview with Sarah Schug<\/a>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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Brussels-based journalist Sarah Schug discusses the challenges of language in the art world, the need for accessibility, the diminishing value of art writing and her proud accomplishment\u2014a self-published book on Iceland’s contemporary art scene.<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n

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\n\t\t\t\tDecember 17, 2023<\/span>\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tSticky Teeth | Micro\u2013interview with Erin McFayden<\/a>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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Writer and editor Erin McFayden reflects on framing artistic activities as labour and advocating exploring the good it creates rather than its economic value \u2013 as well as her reccs for some artistic endeavours.<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n

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\n\t\t\t\tNovember 14, 2023<\/span>\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tSticky Teeth | Micro\u2013interview with Yazmin Bradley<\/a>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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Writer Yazmin Bradley touches on the pressure on authors under the commercialisation of Bookstagram \u2013 how can we reclaim the creative process from capitalism? She also explores working with her grandmother on her memoir and the possibilities of Substack for creativity. <\/p>\n\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n

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\n\t\t\t\tOctober 16, 2023<\/span>\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tSticky Teeth | Micro\u2013interview with Suzanne Claridge<\/a>\n\t\t\t<\/div>\n\t\t\t\t\t\t
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Writer Suzanne Claridge talks about ephemeral approaches to working with language and their belief that good arts writing should not lose sight of its purpose: the reader and experiencing art. <\/p>\n\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/div>\n\t\t<\/div>\n\n \n\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Plurality is borne in Kollektiv Collective Pia Zeitzen and Sasha Shevchenko’s shows and texts via losses in translation. Here’s their thoughts on writing within (and outside) the constraints of language dualities. <\/p>\n","protected":false},"author":1,"featured_media":7596,"comment_status":"closed","ping_status":"open","sticky":false,"template":"elementor_theme","format":"standard","meta":{"nf_dc_page":"","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_vp_format_video_url":"","_vp_image_focal_point":[],"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[537,523,359],"tags":[],"class_list":["post-7594","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-micro-interview","category-sticky-teeth","category-writing"],"acf":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/tahneyalexandramay.com\/wp-content\/uploads\/2023\/09\/64c281fa87dcd6e2d2adb8db_kF3zjyyTkl-NQLNaV5fMG5zng-djzAINy9u_fZ5s4YSiqsYWaqVacwPgyi_G4grx2m0adFfFZ14OSv8i-SW5ZcAD3QehRAMJcKRHI_hhcb_e3jYRrB7aUFIjwS05xa96MRIe_NX8tTN2lsNFsFySV7Q.jpeg?fit=1170%2C1175&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9Pso7-1Yu","jetpack_likes_enabled":false,"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/posts\/7594","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/comments?post=7594"}],"version-history":[{"count":32,"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/posts\/7594\/revisions"}],"predecessor-version":[{"id":8675,"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/posts\/7594\/revisions\/8675"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/media\/7596"}],"wp:attachment":[{"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/media?parent=7594"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/categories?post=7594"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tahneyalexandramay.com\/index.php\/wp-json\/wp\/v2\/tags?post=7594"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}